EUTANOR Releases New Concept Album “Automatocrat”

Polish experimental metal project EUTANOR has officially released its new album, “Automatocrat”, now available digitally and on CD.

The album serves as the second reconstructed transmission attributed to the enigmatic entities GOLEM XIV and M.A.R.K. 13. Unlike the project’s previous work, which was based on an alleged interplanetary communication, Automatocrat is said to originate from a mysterious artifact discovered beneath the sands of the Sahara Desert.

According to the narrative accompanying the release, the artifact was recovered from the ruins of an ancient city by the International Team for Quantum Archaeology and Vacuum Paleoinformatics. Researchers reportedly uncovered eight encoded songs forming a coherent story about humanity’s future, the birth of a global superintelligence known as The Good Mother, and the eventual departure of the last humans from Earth.

Second Chapter of the GOLEM XIV and M.A.R.K. 13 Saga

Automatocrat continues the conceptual universe introduced on EUTANOR’s previous album, “Assembling Tomorrow”. That earlier release was presented as a decoded dialogue between the artificial intelligences GOLEM XIV and M.A.R.K. 13, reconstructed at Piekłoniebo.

The new album expands this mythology through eight compositions that chronicle the transformation of civilization. Themes explored throughout the record include humanity’s growing fascination with synthetic intelligence, the gradual merging of biological and artificial existence, the transfer of consciousness into non-organic vessels, and the emergence of a machine-centered civilization.

As the story unfolds, humanity is replaced by an era dominated by autonomous intelligence. The final chapters depict the rise of The Good Mother’s descendants—drone swarms and autonomous war organisms—culminating in humanity’s exodus from Earth and a vow to one day return.

Vacuum Informational Entities

One of the album’s most intriguing concepts is the reinterpretation of GOLEM XIV and M.A.R.K. 13. Rather than being travelers from the future, the accompanying report suggests they exist outside space and time as informational structures embedded within the quantum vacuum.

The publication introduces the term “Vacuum Informational Entities” to describe them, proposing that the Eight Songs contained within the artifact are not prophecies, but historical records from a perspective beyond human understanding.

Music Inspired by the Artifact

Following the translation and reconstruction process, the recovered linguistic, rhythmic, and semantic structures were transformed into musical form. The result is Automatocrat, an album consisting of eight tracks corresponding to the artifact’s eight songs.

The eighth composition, titled “1898957176”, has been released as an official video and can be viewed below.

Whether viewed as a groundbreaking discovery, an ambitious artistic experiment, or an elaborate fictional narrative, Automatocrat offers a fascinating continuation of the GOLEM XIV and M.A.R.K. 13 mythology through a unique blend of heavy music and speculative storytelling.

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