PARADISE LOST „Faith Divides Us, Death Unites Us”
Having churned out a storied discography that has seen its fair share of ill received albums, Paradise Lost are in fine form with this year's embittered Faith Divides Us, Death Unites Us. The title a not-so-subtle swipe at organized religions divisive effect on humanity, the lyrical fare on this twelfth album does spread itself across a broader messageor should it be messages? For the heartbreaking opener As Horizons End, Nick Holmes deep vocals sweeps the listener away with its earnest emotion while the lyrics moan about personal shortcomings. When its done, the band go a shade darker for its follow up I Remain then let loose the melodic fireworks on the soaring First Light. The somber ride continues on Frailty that arrives before a passable title track churns for a few good minutes.
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BLOODSHEDD „Spare No One”
Killer Songs: Collective,” “This House of Termites,” “Point Blank Target On God”
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RAMMSTEIN „Liebe Ist Fuer Alle Da”
Why, thats a pretty nice cover Rammstein have gracing this new album of theirs. Equal parts bizzare and macabre, it shows the band on the verge of butchering a maidens body, with Mr.
RAMMSTEIN „Liebe Ist Fuer Alle Da”
Why, thats a pretty nice cover Rammstein have gracing this new album of theirs. Equal parts bizzare and macabre, it shows the band on the verge of butchering a maidens body, with Mr.
ARCHENEMY, BLOODSHEDD, MORTAL FEAR, BADBURN, INTOLERANT
October 20, 2009, World Trade Center, Pasay City, Metro Manila, Philippines
DECADENCE „Chargepoint”
Chargepoint. Strange name for an album.
DECADENCE „Chargepoint”
Chargepoint. Strange name for an album.
MEGADETH „Endgame”
Killer Songs: This Day We Fight!” “Endgame,” “The Hardest Part of Letting Go…”
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SCAR FOR LIFE „s/t”
Yes, yes, everyone here, from the reviewers to their readers, are in an eternal quest for a good time. After all, why the chronic music hunger and the continued partonage of this particular section? (Thanks for the good faith, by the way.)
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SCAR FOR LIFE „s/t”
Yes, yes, everyone here, from the reviewers to their readers, are in an eternal quest for a good time. After all, why the chronic music hunger and the continued partonage of this particular section? (Thanks for the good faith, by the way.)
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